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IFPI, the international music industry lobbying group,  has  put a new spin on  authorised  credit card transactions.

 

In a new  tactic against file-sharing and other sites, IFPI will ask the police to authorise the closure of  credit card payment facilities. The intention is to stem the flow of funds to the websites, which will ultimately be forced to close.  Mastercard and  Visa  are the two credit card  companies currently working with IFPI. The police force involved is the Economic Crime directorate of the  City of London police.

 

The way it works is that IFPI's investigators will inform the City of London police about websites which they accuse of infringing copyright. The police will have to ‘verify' the evidence - and it is unclear exactly what ‘verify' means in this instance.

 

The City of London police will

then contact the credit card companies and pass on the verified  ‘evidence'. Mastercard and Visa will not be able to act directly, but what they have agreed to do is to ask the bank which supplies credit card payment services to the website to produce counter-evidence that the site has the relevant music licences.  Presumably, the bank has to then ask its customer for that counter-evidence. If it is not produced, the police  will  asked the bank  to cut off services to that customer.

 

IFPI's statement says that ‘MasterCard has committed to deal with requests ...expeditiously" This is code for ‘it will do it immediately without asking questions'.

 Interestingly, it the bank who provides the Visa or Mastercard  services to the website which is being asked to produce the evidence that site has music licences. This places a new liability onto financial services companies, and would seem to suggest a new status for them as  intermediaries in the copyright business. 

 

IPFI says that it has already handed  over the details of 24 websites alleged to be selling infringing content.

 

It is not clear  who IFPI is targetting. IFPI's press statement mentions websites in Russia and the Ukraine which are undercutting music prices by allegedly not paying licence fees. However, UK police would surely not have the authority to demand action by a Russian or Ukrainian bank.

 

So either   this is a way to get international finance companies, such as Visa and Mastercard,  to break through all legal barriers and stem foreign companies - which  will have no right of reply or redress? Or, it would appear that  IFPI is really targetting UK-based websites.

 

It also seems that IFPI has taken the initiative of drawing up ‘best practice procedures' for credit card companies. These procedures are intended to give the banks guidelines in respect of websites applying for credit - IFPI wants the banks to refuse credit upfront if they think a website is offering allegedly infringing content. 

 

The move would appear to be highly dangerous. How can a bank official, who almost certainly knows nothing about the music or content businesses, make such a decision? It is about stopping the tap by cutting off the flow - but it will almost certainly cut off the flow of innovation as well, as that is what is so dangerous about this move.

 

It certainly reflects a new front in  international music industry vigilante-ism, with the cloak of legitimacy afforded by a friendly UK police force. In light of simlar action taken by the US government against the Wikileaks website, we should be watchful that credit card companies do not become the vehicle for the extra-judicial  foreclosure of the open Internet.

 

This article is licensed under a Creative Commons Attribution Non-commercial-Share Alike 2.5 UK:England and Wales License. http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ It may be used for non-commercial purposes only, and the author's name should be attributed. The correct attribution for this article is: Monica Horten (2011) IFPI gets police authorisation for Visa card  shut-downs      http://www.iptegrity.com 8 March 2011

Iptegrity in brief

 

Iptegrity.com is the website of Dr Monica Horten. I’ve been analysing analysing digital policy since 2008. Way back then, I identified how issues around rights can influence Internet policy, and that has been a thread throughout all of my research. I hold a PhD in EU Communications Policy from the University of Westminster (2010), and a Post-graduate diploma in marketing.   I’ve served as an independent expert on the Council of Europe  Committee on Internet Freedoms, and was involved in a capacity building project in Moldova, Georgia, and Ukraine. I am currently (from June 2022)  Policy Manager - Freedom of Expression, with the Open Rights Group. For more, see About Iptegrity

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Copyright Enforcement Enigma launch, March 2012

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